Various enterprises and personal interests, such as Man-Machine Interaction (MMI), gesture studies, signs, language, social robotics, healthcare, innovation, music, publications, etc.

Tag: head

Wirelesss Teleoperation and Visual Telepresence

A major issue in the teleoperation of robots (e.g. UGVs) is the idea that teleoperation can be made easier by creating telepresence. Telepresence is not a thing that is limited to teleoperation, and the term appears to originate from work on teleconferencing. Below is an illustrative video about telepresence. Further down are a few more vids that provide an impression of the sort of camera images an operator has at his or her disposal for teleoperation of a robot.

POC: Kyle D. Fawcett, kfawcett@mitre.org

Telepresence technologies use interfaces and sensory input to mimic interaction with a remote environment to trick your brain into thinking you’re actually in the remote environment. Visual telepresence tricks your eyes into thinking they’ve been transported into a remote environment. This unlocks the brains natural spatial mapping abilities and thus enhances operation of closed cockpit armored vehicles and teleoperation of unmanned vehicles. The MITRE Immersive Vision system is a highly responsive head aimed vision system used for visual telepresence. Videos of MIVS experiments show the effectiveness of the system for robot teleoperation and virtually see-through cockpits in armored vehicles.

Wave in Head – Emotional Machines (Human Robot)

Wave in Head is a one-man synthpop project from Germany. Unlike many acts in this genre Wave in Head always had it’s own unique sound. You won’t hear an Access Virus preset bassline and a four to the floor beat for the hundredth time. If you’re into this kind of music and don’t own any Wave in Head CDs yet, hush hush 😉

Did you know?
The first known use of the term robot was by Czech playwright Karel ÄŒapek, who in 1920 wrote a play
called R.U.R.: Rossums Universal Robots. Čapek used the Czech word robot, which means worker or laborer, to describe the mechanical slaves that were portrayed in his play. The first publicly-displayed robots were Elektro and his trusty mechanical dog, Sparko, who were highlighted at the 1939 Worlds Fair Exhibition in New York City. Elektro could dance, smoke and recite a handful of words, while Sparko would happily bark alongside him. Apparently, it is rumored that Sparky was a real babe magnet for Elektro. 😉

I’m sorry for the rather bad video quality, I was already glad I found those free japanese promo videos for creepy female robots. Despite the quality issues, and even though I did not have the patience nor the software for sample-synchron edits, the video works… YAY! 😉

Hmmm, this video made me think: To what extent can modern rock stars, like Madonna, Spears, or Jackson, be considered to be entertainment robots? Most videoclips are better synched but synched nevertheless, there is very little ‘real’ about the average music clip on MTV.

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